She studied at the Academie de la Grande Chaumiere (
1953-1954 ) in Paris an d in School of Fine Arts in San Francisco, California. Since 1957 until 1962 she covers a period absolutely dedicated in the ex perimentation. Her semiotic manufactures that change the utilitarian language in fundamental hieroglyphics, compose the bigger part of her production. She has presented her work individually (Betty Parsons N. York 1961 , The Solomon R. Guggenheim Museum N. York 1961 , Cordier and Ekstrom N. York 1962 , museum of Modern Art N. York 19 63 , Institute of Contemporary Art University of Pennsylvania Philadelphi a 1965 , Pace Gallery N. York 1966 , 1968 , Rive Droite Paris 1968 , Harvard University Massachusetts 1968 , Walker Ar t Center Minneapoli 1968 , Der Spiegel Cologne 1969 , Obelisk Boston 1969 , G alleria d'Arte Contemoranea Turin 1970 , Graphic Arts Gallery San Francisco 1970, Whitney Museum of American Art, N. Y ork etc.) She has also taken part in group exhibitions.