Pourism
In their book, entitled “After the Cubism” (1918), A. Ozenfant and Le Corbusier show the need to drive Cubism into its ultimate logical conclusion, through the purity and the objectivity on the one hand and the restoration of representational nature of art on the other. The relative movement, named Pourism, became internationally known with the painting of its protagonists and more through the architecture of Le Corbusier.